Monday, March 29, 2010

Rounding The Cape in a Strong Gale Part III

Part III

The sun ascended slowly over the cascading chalk and limestone cliffs north of Marseille, and Clark steadied the wheel with newfound resolve to make landfall meaningful and prophetic; the fulfillment of a month's drifting in the north Atlantic, identities swirled amongst floating rubbish and seaweed. This was not to say he hadn't been to shore yet; quite to the contrary, many times his feet had touched terra firma in the fast 2 weeks since he passed through the steely, gray straight of Gibraltar, the poverty and mistreatment of Africa filling the southern horizon across a scant ten miles of water. His first stop had been in Spain, in the little fishing village of Tarifa, just around the corner from the imposing stone monolith of Gibraltar Rock and the stoic, resolute control of the damn British, content on their eye into affairs of the third world to the south. Clark was not concerned with business or politics, though, mainly he was just bent on experiencing, whether it be temporally or subconsciously, anything worthwhile now days had to be felt,he thought with reeling impact, laying face up on the uneven teak deck boards.

After stocking up on fresh water and produce in Tarifa [the customs agents seemed satisfied with his explanation of personal adventure and cruising in broken, stuttering spanish] he set off along the northern Mediterranean coast, the fabled Cote D'Azure of Hollywood and summer daydreams. It proved even more phantasmagoric and bright than the movies predicted, full of tan, accented young men and women who seemed dubiously employed, spending most of their time on the beach or driving zippy little cars along narrow roads that careened over precipices into the expanse of the Mediterranean. The French were smart and inquisitive, free from the snobbery and pretense he had been led to expect by the xenophobic, zealous American populous. They wanted to know his purpose, his origin, and when he pleaded guilty to neither, they seemed content with him, the tanned creases round his smile and weather-beaten oxford shirts evidence of some noble desire he must have here, so far from home. He loved the food, the wine, the easy camaraderie of the young people, bred of discontent for authority or the government, plans and the future.

On this particular morning, August 20th 1978, his parents and friends had taken him for dead, and the immediate grief, the anguish of loss unseen and unforgiving, had begun to fade as their busy lives clouded the memory of the young man they thought they lost. The selfish recklessness of his actions were of no consequence to him now, and the future loomed so immediate and tangible that the occasional fits of regret he had alone on the boat faded quickly, like a child's tantrum over candy or television. He had been alone before, and he was alone now, pleased with the grandeur and romantic perfection of the coastline, as it never disappointed or expected anything in return. He missed the spontaneity of day to day existence at school, amongst strangers and friends, this was true, because whatever excitement that had generated was always a dead end, safe and predictable, the adoration or lust of a stranger that was never returned. This excitement was terrifying and had consequences of life and loss; emotional attachment had no room here.

He thought of the couple nights he had spent on the beaches of La Coudouliere outside Toulon earlier in the week, dropping anchor suddenly and haphazardly in shallow water in a little sandy cove, the sun beating down relentlessly on the patchwork summer cottage roofs over the water. A young man had appeared out of the corner of Clark's eye in a little wooden dory, of the type the old fisherman used to cast their humble little nets into the maw of the sea, and he had waved enthusiastically and shouted hello in half-coherent French. The young man, Guillaume was his name it turned out, was lean and tan, with a sunburnt shock of fading blonde hair and ratty cutoff shorts speckled in little bits of white paint, endearing and indifferent. With the beautiful forwardness of the French, he asked what a handsome young man like Clark was doing in Coudouliere, and 20 minutes later they were tearing at worn edges of cloth and buttons in Guillaume's little whitewashed cottage on the dunes, breathing mixed with the heavy summer air that pressed down on sweaty flesh.

Guillaume said he had a girlfriend, "Mes Parents habite en Paris", he stated beseechingly into the warm creased of the pillow, as if that explained it all. Clark understood though; summer fun was heady and spontaneous, about feeling hot and restless, not pleasing relatives or establishing a future, even one's own psyche was irrelevant amongst the pale white sand and green vines. Addresses and phone numbers, in a comically sad display of post sexual connectivity, were exchanged on yellowed bits of a phonebook, and he ran down the fading wooden dock to the little skiff to row back out to the sailboat. As he steeled himself for the emotional drain of disconnection, he heard quick, nervous footsteps behind him and felt a steady, heavy hand on his shoulder. "Wait!" said Guillaume, the Parisian with the girlfriend, and his eyes lit with such childish conviction Clark couldn't say no to staying another 2 days.

He left Coudouliere with the distinct apprehension of an opportunity spent and dwindled; the awkward slowness of parting with Guillaume still fresh in his mind. The experience had taken over his sensory functions at this point though, and he shied away from the cruelty of commitment. The sun along the Cote D'Azure was vicious and luxurious in August, and the steep white limestone cliffs cascaded angular fragments of light down into the ragged, hollow sea. He imagined the boat suspended amongst thoughts and the 3-dimensional miasma of the past, the water parting before him like Jesus on the Dead Sea. He thought with pained affection of the quizzical glance Guillaume had given him as they parted on the humble, rotting wooden edge of the dock, a glance that betrayed the hurt of having let a stranger love him.

Everyone was a stranger, in the context of the experience; even if you had been inside someone, you hadn't really known them, wound the tight gears of their soul with your own hands. Lying in the neat little wooden bed with whitewashed sheets in a geometric corner of the house, Guillaume had said he was a writer. This was to say he had family money, and after an education from a good university in Paris, could afford to pursue writing free of the harsh bourgeois struggle for bread and happiness. The daily mundanity of a commutes and deadlines was replaced by living comfortably on the edges of boredom; inspiration coming in childish bouts of creative thrashing. Clark had happened on such a moment, an opening amongst the tedium of being aesthetic and pleasing people. This was precisely the kind of spontaneity he had hoped for, yet somehow he still longed for the scary push and pull of nature, the glimpse into the endless teal abyss of the ocean, or a collision with a rogue shipping container 1,000 miles from land. He wondered what had become of the smiling Arab seamen he had exchanged greetings with across the water 600 miles northwest of the Azores, their crisp white clothing radiant in the sun, their simple trust in Allah and the shipping company, bringing them modest immortality.

Clark felt so vulnerable, to himself and to those who eyed him curiously, wondered if he was the real deal, an energy worth reciprocating. He pulled the anchor up with taunt, lean muscle and heaved the sandy, dripping iron rake onto the foredeck, the boat lurching forward on kind western breezes under sail. The craft heeled hard and bottles of cheap rum and Pinot Grigio rolled around below deck as he trimmed the main and they rounded the arrogant stone precipice of the cape. It was not a terminus of land but rather a reluctant finger into the sea, an abstraction between the next pint of land upcoast. On this sinuous and rounded coastline, it was hard to tell which way was forward and which was back, which led to Morocco and which to the aromatic, ancient ports of Sardinia and Sicily, broken volcano's dripping into the sea.

From the vantage point of a good sailboat, Clark thought contently, the world presented itself just as it ought to, mountains announcing their presence far off on the horizon, cities glowing in hazy amber fog over the calm black water at night. He set the wheel and trimmed the sail's to his liking, a long, confident tack southeast away from the raucous green coast and out into the warm, shallow gulf, the gulls and shorebirds silent and curious. Rummaging about in a little wooden compartment behind the helm [at this point, all things had a rightful place, and the workings of the yacht were of hi own sinew] he found a bottle of old gin. He bit off the bitter end of a lime and poured a little tonic water, preferring to take alternating shots of each rather than mix the three. It tasted acrid and delicious, the bitter summer remembrance, and suddenly he was so thirsty he could only drink more and more and more, crying over Guillaume and the future between squeezes of lime and gin. The tears were salty and old, running into pale stubble and the faded end's of a Brook's Brother's collar, which drooped downward dejectedly from the assault of all this unpredictable running about.

MusiccisuM

Bang Gang Records, a small Australian Label, is on the forefront of electronic/house labels to watch for 2010. With artist's like 18 year-old Perth wonderkid Shazam, Bag Raiders, Toecutter, Cassian, ZZZ, The Golden Bug, and Headman, they are a group to watch this year. Technically, they are a wax distributor for much bigger and better known label Modular Records, who has made a small fortune off act's like The Yeah Yeah Yeah's, Cut Copy, and the Preset's. Bang Gang specializes in delicious 12" releases of singles by it's formidable list of DJ's and Producer's, and seems to engineer their own remixes as well, much like New York's 'A Touch of Class'.

Speaking of A Touch of Class Records, they deserve some love too. Though they haven't been as prolific lately as their fellow NY nu-disco brethren DFA Records, they have been busy pleasing their wonderful lineup of artists, including The Ones, Scissor Sisters, Waldorf, and Services. If Waldorf, who up until now have been sort of a one-album wonder, release anything on par with "Your my Disco", they will blow Turbo or Modular out of the water. Just my 2 cents.

In the realm of modern trip-hop and ambient electronica, for lack of a better description, there seem to be a lot of imitators and very few genuine success's. The U.K's Matt Cutler, better known as Lone, is one of these success stories, and his recent release on Werkdisk Records, "Ecstasy and Friends", is a solid creative effort and a new direction for the genre. His marriage of old school funk and breakbeat samples, un-syncopated drums and stuttering, heavy bass breathe a new kind of deep house/funk that defies fair description. Best to just give it a listen.

French house producer and DJ Surkin recently released a new EP, "Silver Island", just out on Paris's Institubes Records. While not really comparable to his his first album, it is still a solid collection of tracks, with his signature tight vocal samples and sharp hi-hats, in the modern Parisian house style of fellow Institubes DJ's Para One or Bobmo. The standouts are probably the title track and "Easy Action", which are more akin to his earlier efforts. The single, "Fan Out", has some choice moments, but on the whole suffers from a bit too much compression and over-production. It really is amazing how much better a lot of electronic music sounds live, when the EQ is actually somewhere near correct, and not compressed into chopped off notes and stuttering bass. "Next of Kin" and "White Knight Two" are probably his best tracks to date, and when I saw him in Denver, he played a killer live set, based largely off these two singles. To those who doubt the artistic merits of knob-twiddling and record spinning, I would advise you to get plastered and see any of these fine DJ's at a venue near you. Surkin, who looks about 14 and hails from Southern France, is a force to be reckoned with behinds the tables.

Jonsi, of Sigur Rosa fame, recently released a solo album, "go", which, despite inconsistencies, is definitely worth a listen, as it run's the entire spectrum from warbling, surrealistic art-rock to more anthemic rock ballad's, all tied together by his unique vocal ability to sound both sincere and innocent. On XL Records, he will be touring the U.S this spring, and is actually slated to make a stop in Denver coming up on April 21st!!

Another band in the genre of ethereal, spacey nu-disco art-rock is Gothenburg, Sweden's 'Little Dragon', a four piece collective with a Japanese front woman, whose distinctive and beautiful vocals bring together an otherwise largely mediocre album.

Several newer artist's on European house labels Institubes and Boys Noize have caught me ear lately, the best being young Parisian producer Tacteel, who is on Institubes with his friend Benoit, better known as Surkin. Another DJ to watch is Boys Noize Records artist Strip Steve, whose new EP 'Delta Disco' is a superb foray into old-school sample based, clean house and tech. He has collaborated with German artist's including Siriusmo, David Rubato, and Boys Noize, and produced some really top notch material, great for live mixes or DJ set's.

Show Reviews:

Spoon and Deerhunter, Ogden, Denver Colorado, April 7th 2010: Let me start with saying I was pretty excited about this show. I mean, seriously, when do 2 great, widely acclaimed indie bands like this come to Denver, let alone tour together!? Judging from the buzz around the Ogden before this show, I could tell people were pretty stoked as well.


8 Days across the Southwest with Lin

I feel some details of the past 8 days spent road tripping and rock climbing across the southwestern U.S are worth noting, if for no one else but myself. Maybe Lin too. Here goes:

The trip began with the impending weight of a spring blizzard, which descended on Colorado with typical ferocity and suddenness. Friday morning dawned, and what had on Thursday been an awakening landscape of green grass and radiant sun had morphed back into snowy sleep, covered in blowing drifts and gray clouds. We waited out our initial start date at Lin's house in north Boulder that evening, packing and making excited plans for the upcoming week in Arizona. Lin made pesto pasta and I brought wine and a salad, that was the deal. I suppose we seem so comically mismatched at first, her, a retired geologist, librarian, and attorney, 66 and with a climbing resume few of her generation and gender can boast, in one corner. In the other corner, see me, Philip Persson, 23 year old perpetual undergraduate, restless wanderer of the vast Western landscape, climber, skier, dreamer. We shared so many things though; the drive to climb, the inability to control our mouths or our political correctness, a non-traditional orientation on life and relationships, and a deep love of the outdoors. We drank too much cheap wine, argued politics and denounced religious nuts and conservatives till the dawn came up again, and constantly made excuses about why we weren't climbing as hard as this or that. We bickered, laughed, smiled, and made fun of everything and everyone under the sun. It was thus I suppose that this road trip materialized.

Saturday morning came sooner than I'd hoped, and we loaded Lin's little Jetta TDI wagon with the weeks provisions and gear. The drive was daunting and immediate, something I dreaded and anticipated, because I knew it led to a magic landscape of warm granite and towering domes in the Sonoran Desert to the south. Conditions got exponentially better as we made our way south, and save the hairy initial descent from the driveway and some snowpacked spots between Denver and Colorado Springs, the roads were fine and the sun did shine. Santa Fe came around and we stopped at a Trader Joe's to stock up on some last minute supplies for the backcountry. Needless to say, while I am not a man of religious inclinations, I may have found god in Trader Joes. 3 overflowing bags and sixty dollars later I was a solid convert. The drive from Boulder to Tucson is largely forgettable, the monotonous New Mexico desert fading into a greenish-brown blur at 80 miles an hour, with occasional bony, stubborn mountains poking through the vast alluvial plains. The landscape does change though, in way subtle at first ands then glaring and beautiful. Slowly, the arid high plains are replaced by the lower, more lush Sonoran desert, it's Century Plants and Saguaro's decorating green hills and sweeping valley's between the endless basin and range ridges that fill the burning horizon line, the highway always about to crest some hill.

We rolled into our destination around midnight, Cochise Stronghold, a vast a magnificent landscape of sweeping granite domes and canyons filled with verdant trees and wildlife, which empty out onto a African-like Savanna, which is spotted with oak trees, giving in a slightly surreal, coastal quality. Dead tired, I somehow rigged the tent as Lin attended to the important task of ridding the back of the car of enough of our shit so she could sleep in it, and in the process, opening a bottle of wine. The almost full moon radiated cool white haze across the valley as we sipped cheap Pinot Grigio and speculated on what a beautiful morning tomorrow would hold, and how it was still 30 degrees warmer at midnight in southern Arizona than it had been in Boulder yesterday. The next day was indeed beautiful, and we set out across the savanna to the base of the Sheepshead, a towering 700 foot granite dome, to climb Peacemaker, a 7 pitch bolted 5.10 outing I had traveled up once before. The first pitch was a bit stiffer than I remembered, and as Lin made fun of my poor footwork, I cursed the delicate slab climbing. As we made our way up the wall though, grumbles of "motherfucker!' were slowly replaced my smiles and even the occasional hoot and holler. At the summit, we sat and drank lukewarm water and ate old granola bars, and admired the singularly otherworldly, monolithic granite landscape that lay below us, deep rounded chasms where Coatimundi's and Ring Tailed Cat's nibbled on berries and hawks nested high in cliff nooks.

The next day, we ventured back up towards the Sheepshead, but today our agenda was a bit different, as the fond memories I has of the beautiful upper half of "Mystery of the Desert" on the nearby Muttonhead Dome had precluded any memory of the awful first pitch. Well, it wasn't that awful I suppose, save chossy cracks and 3 pieces of gear in 100 feet of climbing. I wretched up a nasty, shallow corner from the ground, fumbled in a little orange TCU, and decided it was better to traverse left out onto the face. 30 feet higher up, Lin politely reminded me I was facing a definite grounder, and thoughts of decking on hard gravel in the Southern Arizona backcountry clouded things a bit as I fumbled with an awkward nut placement overhead. After finally getting a decent piece in, I continued upward and was relieved to find a nice bolted belay on a comfortable stance on a dike. The rest of the climb was beautiful and fluid, save a little scary bolted face climbing up a leaning arete I did to avoid to infamous "wedge', a blood loss-inducing offwidth on pitch 2. The experience climbing on this perfect backcountry Arizona granite in March is hard to describe, and we milked a good 3 or 4 more pitches into the rest of the afternoon, returning to camp weary and worn, but not warn enough to fill the rest of the camping area with talk of "dumb, ignorant conservatives" and "intolerant Christian neo-con's", Lin's recent topics of choice. I of course followed along enthusiastically, and our opinions are now well known to the oak trees and cows that inhabit the meadow below Sheepshead rock.